FFF Fiction Feeling Frame This research collective operates through fiction, feeling and frame. These terms are topics and methods that open up a discussion about multiple and contradictory realities through combative modes of architectural practice including performance, earth-writing, policy engagement, critical gardening, conflict resolution, short fiction film, scenography, curation and photography, practices of abolition, transmutation and figuration. We aim to expand on the framing of time beyond the linear triadic frame of past, present, future. As an evolving and collaborative theme, we invoke and involve situated mediations of image, of stone and bronze, of waste, of stories and feeds and posts and walls, and task concern with how these are made, unmade and remade. If fiction is a form of combat, what new terrains of struggle are invoked? If to engage in fiction is to make or produce, what critical practices are crafted in the act of fictioneering, making-up as making-with? Adam Kaasa, Thandi Loewenson, David Burns |
At the 2019 Likumbi lya Mize , there was a Telecommunications tower which was in the form of a |
Breath is Invisible, Khadija Saye (photo by Jeff Moore) |
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The Forest and the Zoo: An Interview with Johnny "Mbizo" Dyani, Aryan Kaganof |
Honor Gavin |
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Touching My Father, Song Dong
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Maralingite, David Burns (2018-19) |
From "Woomera" (Australian Broadcasting Corporation - 1988) |
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Dance of the Likishi Lya Mwana Pwevo |
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Maralinga Tjarutja man Mervyn Day (“Secrets in the Sands” BBC/Discovery Channel, 1991) |
Apex House |
Dialogues with Dust |
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Link to "The commons: Infrastructures for troubling times*", Lauren Berlant
Link to Broken English, Janet Rogers |
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Link to Black W/Holes: A Brief History of Time, M. NourbeSe Philip Wayne Solomon, Untitled, King and Queen Competition/Lamport Stadium, 2005. Gelatin silver print. Courtesy of the artist. |
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American newsreel of V-2 No. 13, with feature about Clyde Holliday |
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